While Matthew has been
involved in plays and musicals from the age of five, his career
on the operatic stage started in 1992, when he joined the Pacific
Opera Victoria chorus for the company's productions of Verdi's
Un Ballo In Maschera, Puccini's La Boheme and Donizetti's
L'Elisir d'Amore.
After graduating from
the University of Victoria with a Bachelor of Fine Arts degree
in Theatre, with a specialization in Directing, he returned to
Pacific Opera. There he worked on six different productions from
1995 to 1997, as their resident assistant director. He moved to
Vancouver in 1997 to start Epicentre Theatre, a company dedicated
to producing new or little-known Canadian plays. Projects included
Vancouver premieres of plays by Sean Dixon and Daniel MacIvor,
and an ongoing relationship with Toronto playwright George F.
Walker, re-mounting three of his earliest plays in new, re-written
versions.
Matthew returned to
the opera world in 2002, when he started his relationship with
Burnaby Lyric Opera by directing Rossini's Cinderella.
He then went on to direct their very successful productions of
Rossini's The Barber of Seville and Donizetti's The
Elixir of Love. Matthew also works as a director for the Vancouver
Academy of Music, directing many different scene studies as well
as their fully-staged productions of Offenbach's The Tales
of Hoffmann and Weill's Street Scene.
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